PRISONS HAVE A LONG MEMORY TOUR

Prison is traumatic. Multiple forms of violence are ever-present. Living with this daily norm for nearly three decades results in the hypervigilance frequently associated with PTSD. In an environment where the tiniest conflict can escalate to a riot, or the wrong word to an officer results in the torture of solitary confinement, this  extreme alert is an adaptive behavior. Despite the long-term adverse consequences of constant stress, it helps one survive day to day in hostile environments; however, exercised in the Cheesecake Factory it is just paranoia.
STERLING CUNIO

In addition to the published anthology, the stories of the men inside Oregon State Penitentiary are broadcast through a book tour sponsored by Oregon Humanities and Spirit Mountain Community Fund. The social life of the book includes community members in towns across Oregon to gather and listen to the testimony of the OSP writers, to ask questions, to learn more about the conditions of our fellow Oregonians who are incarcerated. As part of the tour, editors Tracy Schlapp and Danny Wilson present inside neighboring facilities for readings, conversations, and writing workshops. When possible, writers who have been recently released will join Schlapp and Wilson at the podium.

Prisons Have a Long Memory released inside the Oregon State Penitentiary August 27, 2020.

Koi illustration by adult in custody TOSHIO TAKANOBU

 

Schlapp & Wilson with Roseanne Cash at the 2019 Cash Heritage Festival, Dyess, Arkansas

The story of the first Oregon prison tour written by Tracy Schlapp, published by Cumbersome Multiples

CASH: Music, Legacy, & Redemption

“The concert was relaxing, and brought back a lot of memories of my childhood, listening to Cash and having breakfast with my parents before school.”
ADULT IN CUSTODY, OREGON STATE PENITENTIARY

Accoustic PERFORMANCE &
STORYTELLING

 “CASH: Music, Legacy, & Redemption”  describes the first Oregon prison tour experience by using select Cash songs punctuated with stories about people inside. The Folsom50 shows were designed to broadcast the experience of folks inside in order to educate people about the needs of adults in custody. The lecture was designed to cultivate an audience of students, artists, and citizens willing to advocate for adults in custody. In 2019, Schlapp & Wilson travelled to the John Cash Heritage Festival in Dyess, Arkansas to present the lecture as part of the academic seminar.

CHAPBOOK ESSAY

Folsom50 co-producer, Tracy Schlapp has written an essay that unfolds during the year of rehearsals and performances with the band Luther’s Boots.  The book was published thanks to a grant from the Oregon Arts Commission.